I sat on a log in the forested hillside, starring into the charred remains of the fire that had helped warm me during the night. The rising sun’s rays kissed my shoulders, speckling my brown hair with golden highlights. The leather of my cloak scrunched as I pushed to my feet, kicking a bit of sand into the fire with steel-toed leather boots. I stepped across the green spring grass to my waiting horse, securing his saddle bags and the faux bear skin fur I had slept rolled up in throughout the night. The leather of my garments were also faux, by the way. I would never harm an animal during the typing of these memoirs.
I noticed a falcon sitting on a limb of a nearby tree. I paid it no mind. Falcons were quite common in the duchy of Toussaint, as was a large variety of bird life. Toussaint was blessed, enchanted even, full of mesmerising grandeur and majesty. It was the most beautiful region I had ever seen with charming hamlets and villages built into hillsides that had winding roads leading past quaint cottages made from bricks and stone painted in bright colours. And vineyards everywhere, fields of grape vines crested with wineries built of heavy timber. No signs of war, starvation or disease in Toussaint. It was a land of prosperity where people and culture thrived.
It was time to get moving. I lept deftly onto my horse. I then paused, taking out my Ronco Pocket Dictionary and looking up the word ‘lept’ to ensure its correct spelling. “Lept is archaic and not used nowadays.” Hmmm. I then looked up ‘archaic.’ I was pretty sure I knew what it meant, but wanted to double check. “Very old or old-fashioned.” Yes it meant what I thought it meant. I shrugged. Since this was a memoir from hundreds of years ago, I decided ‘lept’ suited just fine. But for modern situations, it really should be ‘leapt.’ Don’t get me started on ‘leaped.’
“Get’s go, Cloud,” I called out, giving him a squeeze with my thighs. Oh I know, many men envied that horse. He took off in a canter that quickened into a gallop. Down the wooded hillside, across a grassy plain peppered with a plethora of flowers and shrubbery including purple Wolfsbane, white Myrtle, yellow Moleyarrow, and red Berbercane Fruit. Small gatherings of rock and stone littered the land in random places, especially along the wide but shallow river whose waters flowed turquoise blue due to the minerals in it. Keeping my ears perked for mobs of wolves or monstrous arachnomorphs, I did notice out of the corner of my eye that falcon flying nearby. It was following me.
I prefer to take the bull by the horns. So I rode up to the top of a hillside and dismounted. I stepped away from Cloud. Just in case there was going to be a fight, I didn’t want my horse endangered.
The falcon swooped down to land in front of me, landing oddly right on the ground. I thought that strange, as birds were not fond of being on the ground unless pecking for prey, and falcons were hunters. They ate meat, faux meat as far as this memoir goes, and were not ones to peck for worms.
Suddenly, the falcon transformed, growing rather large and rising before me. It was a woman, unlike any I had ever seen. She had porcelain skin, long thick curls of shimmering golden hair, and eyes the colour of the sea. She wore a cloak of faux falcon feathers and exuded an aura of amber warmth. Her gown was the finest ivory silk trimmed with gold, inlaid with polished amber. Around her neck was the Brisingamen torc, a necklace of fire, radiant amber, detailed and as legend had it, the most beautiful necklace in all the world.
I realised I was in the presence of a deity, and not just any deity, but the goddess of love and beauty, sex and fertility, the Lady of the Vanir herself… Freya. Or Freyja, depending on who you talk to. I clasped my hands together, thumbs twiddling as I shifted my weight uncomfortably. I wasn’t sure what to do when in the presence of a goddess. Should I kneel? Should I bow? I was pretty sure kneeling to Freya might piss off Jesus, and I didn’t really want to do that. But I didn’t want to insult the Goddess of sex and fertility either.
She smiled at me. She seemed unconcerned with my reaction to her appearance. “Fair Pea, I do call upon you to accept a quest for me, to fulfil a great desire that consumes me. I have a great need that must be met least the amber fire in my soul grows cold and dull. For I have looked to another land, far far away, and have spied there an object of great power and glory. I must have this object. Just as I slept with the four dwarven smiths, the Brising brothers, to obtain the necklace Brisingamen, forged of unsurpassed beauty… I have beheld another object that has captivated me. I cannot bear to not have it!”
My eyes flitted about as I clasped my hands together, letting my arms rest. I felt rather uncomfortable. “What is this object you desire with such passion? And why can’t you just take it if you want it? You are a goddess, after all, and have magical powers.”
Her face fell, eyebrows raising over saddened eyes. “Alas, I cannot just take this item. It is very powerful, full of magic even stronger than my own. I tried to convince the one who owns it to gift it to me, but he refused to give up his power. I then offered to trade for it with a night in my bed but he said he already has a woman that he loves and even my ample temptations are not strong enough to lure him into an illicit tryst. Nothing I have tried has worked. And I am not a thief, to slither around on my belly in the dust. You, however….” She appraised me, looking me up and down. “I thought you might be able to procure this object for me.” She suddenly raised her voice, her head tilting as she cried out unto the heavens. “I must have it! I cannot live without it! It’s power dominates me, and the only way I can control that power is by owning it. Otherwise….”
She looked directly into my eyes with a penetrating gaze, her face hardening, brows lowering and voice dropping to a cagey whisper. “I fear if I do not obtain this object it will be the end of sex and fertility. Love and beauty will wither. I require a sacrifice of sorts, not a bloodletting but an offering of this object that has taken over my senses, devours my thoughts every waking moment, and torments me in my dreams. Please, Pea, will you help me? If so, you will be saving love and beauty, sex and fertility, and all the world will sing ballads of praise and thanks and glory unto thee. Plus, do this for me, and I will grant you a boon. Anything you want.”
I arched a brow. A goddess can’t be telling lies. That would discredit her. My mind reeled with what I might ask for. Lands? Riches? Jewels? My own fleet of ships? A bottomless bottle of Pepsi-Max, one that never runs out? OH OH OH a house that is enchanted to never get dusty! Besides. Who was I to deny a goddess. “Okay,” I said nodding, “I’ll do it. Give me details. What am I seeking, where will I find it?”
She visibly exhaled, her face softening and eyes filling with so much joy that they started to tear up. “Thank you Pea, you are my champion! You will find the object in another land, another time. The land is called Copperhead Road, the place is a palace called The Empire Room. The object is a red thong, owned by a man they call Cannon. Bring me this thong! Only then is sex and fertility safe! Godspeed, Pea! Oh, and welcome to the weekend!”
With that, she poofed back into a falcon and flew away. I opened my map and started to search for this Copperhead Road. And The Empire Room, where there was a show performed by angelic dancers in a troupe called Elysium Cabaret, this show hosted by His Imperial Highness, the Emperor Paul Woodrunner and Her Majesty Empress Jilley Roo, with tunes spun by DJ Gunner… was that similar to spinning gold from straw? And there was a knight called Wiz. Sir Wiz. I nodded. And so began my quest to find The Thong.
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Queenie
O “Fly On” – Coldplay
1. Why did you choose this song to create a dance to? What was your inspiration?
No reason in particular for the song choice, I was just listening to music and is came on in the shuffle. I liked it a lot and had a burst of inspiration.
2. What were the particular challenges you dealt with when creating this dance?
None really the set almost built itself.
3. What does this dance mean to you? Is it a bit of fun, or is there a deeper meaning?
I originally danced it for Father’s Day, missing my dad who has been gone 11 years now.
“So fly on, Ride through, Maybe one day I’ll fly next to you.”
I’m not sure it is the actual meaning of the song but it hit me rather hard when I listened to it.
4. Is there anything you would like others to know about your dance?
Personally, I think the song is very uplifting and comforting. I hope the audience connects with the words and the feeling like I did.
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Adam
with Bella, Cannon, Sammy, BabyPea, Web, Jo, Jilley and Ariel
My Generation by The Who and God Save the Queen
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Antonio
with Halie
Liam Payne, Rita Ora – For You (Fifty Shades Freed) (Lyric Video)
1. Why did you choose this song to create a dance to?
I picked it because when Hailie an i first got together, she sent me the song. When I heard it I saw a set forming, but I waited, the more I waited the more it began to ooze out of my brain, till i could not contain it anylonger.
2. What were the particular challenges you dealt with when creating this dance?
Couples dances, so many in unison.
3. What does this dance mean to you? Is it a bit of fun, or is there a deeper meaning?
It has a deep meaning, I used this set to propose to Hailie, and she said yes. It reflexes different parts of London and the terminal an even Harry potter and the gang take the tickets.
4. Is there anything you would like others to know about your dance?
Always bow to the Queen, never try to shake her hand unless she extends her hand first, and don’t walk in front of her.
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Sarah
with Ginty Bachem
”Sirens” by Nik Ammar [Feat. Hannah Wildes]
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Taema – MYNX Dancers
with Kyser, Antonio, Hailie and Kellyx
Sunshine Superman by Donavan
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Jilley
with Paul and Antonio
Goldfrapp – Systemagic
The following answers to questions are provided courtesy Pea. Meaning, Pea answered them for Jilley:
1. Why did you choose this song to create a dance to? What was your inspiration?
I liked all the topless guys in the video.
2. What were the particular challenges you dealt with when creating this dance?
It was really hard to make a dance that did not include Pea’s ass. It troubled me greatly, and I had a hard time finding inspiration without it.
3. What does this dance mean to you? Is it a bit of fun, or is there a deeper meaning?
It was a great chance to be sandwiched between two hot guys in naked glory!
4. Is there anything you would like others to know about your dance?
We all got full-body waxes so we wouldn’t have any hair to interfere with the body paint. It was really fun listening to Paul and Ant scream like girls when they were getting their junk waxed.
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Eva
Crowd Dances
Billy Idol – Dancing with Myself
Flock of Seagulls – I Ran
Rick Astley – Never Gonna Give You Up
Elton John – I’m Still Standing